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Satou

#1 von Gerrit Jan ( gelöscht ) , 24.02.2009 20:42

Gerrit Jan
zuletzt bearbeitet 26.10.2009 19:19 | Top

RE: Satou

#2 von Tobias , 26.02.2009 10:53

Wenn man die Pfeifen sieht
versteht man doch Arnos Frage nach dem Holz.

G.J. hast du da auch Infos zu den Preisen


_________________
Viele Grüsse
Tobi

Ein gutes Buch verdirbt den schlechten Geschmack. (Voltaire)

 
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RE: Satou

#3 von Gerrit Jan ( gelöscht ) , 27.02.2009 21:28

Im Moment gibt es Angebote bei http://www.smokingpipes.com/pipes/new/satou/index.cfm Preise zwischen 435 und 800 euros.

Gerrit Jan

RE: Satou

#4 von Arno , 26.10.2009 19:21


Gruss Arno



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RE: Satou

#5 von Arno , 02.03.2010 15:34

Bezugsquelle: http://www.smokingpipes.com/

Zitat über den Macher:
"The tradition of Japanese craftsmanship is famed throughout the world. From the creation of exquisite pottery to the forging of fine swords, workmanship and artisanship has been a significant cornerstone of Japanese culture. This tradition has carried over considerably well to pipe making. For Tsuge, certainly the most famous of the Japanese pipe making firms, this involved an evolution from a firm focused on the carving of ivory relatingto the traditions and rituals of Buddhism to the making of pipes as ivory became increasingly scarce.

Indeed, Tsuge was Satou's first pipe making home. Smio Satou worked for Tsuge for twenty-five years. However, the story begins even earlier, with Satou's father. His father was one of the first pipe artisans in Japan, during the late 1940s and 1950. Actually, it would be more accurate to say that he was one of the first pipe artisans in briar that was focused on European style pipes. Kiseru, traditional Japanese pipes, were a standard in Japanese life prior to the 20th century. Though pipe smoking in Kiseru was common before the late 1940s and many Japanese also smoked western style pipes, until that time there were no briar pipe makers in Japan. Smio Satou's father was one of the first pipe makers for Fukashiro, the first briar pipe maker in Japan. On an interesting historical side note, according to Satou, his father repaired pipes for Douglas Macarthur following the war. Later in his father's career, he subcontracted pipe making and repair work for Tsuge.


Satou currently makes less than forty pipes a year and his pipe making has become more a hobby than a profession now that he is retired. He generally spends two to three days making a pipe, focusing particularly on the finish and the mechanics of each piece.

It is perhaps Satou's finishing work and mechanics that truly set him apart from other pipe makers. Mechanically, his pipes are flawless and his pipe engineering is among the finest, if not the finest, in the world. Pages could be filled describing every technique Satou uses to ensure perfect mechanics, finish and durability in his pipes, but a couple of examples should illustrate the point:

Satou frequently uses long thin pieces of bamboo on his pipes. Though many makers from all over the world use bamboo, it could be argues than none have the facility with the material that Satou has. By using metal tenons and sheathing the inside of the bamboo in nylon, Satou is able to use far thinner pieces than most pipe makers would consider using. Not only are the pieces thinner, but the sheathing process also allows bamboo shank extensions to be far stronger and far longer than those found on most any other pipes. In addition to this, Satou does not settle for gluing his tenon into the stem (provided they are not from the same piece). Rather, he fixes the tenon in place with a metal pin that extends from the surface of the stem, down into the tenon.


Satou is also known for his unusual finishing techniques. Most high quality pipe makers use carnuba wax, the resin from a particular kind of South American nut. Carnuba has significant advantages: it protects the pipe, gives it a lustrous finish and is breathable. Of course, it is the last advantage that makes it better than a varnish or plastic based lacquer that is often found on less expensive pipes. Satou does something completely different. For centuries, Japan has been home to some of the finest high-quality furniture in the world. Much of this furniture receives a special wood resin as its final coating after staining. Satou experimented with this special coating and discovered that it allowed heat and gas exchange as well (or better) than carnuba, but is a far more durable finish than the wax. According to Satou, the pipe will never need to be waxed. Additionally, the pipe achieves a more lustrous patina than does a pipe coated with carnuba. I can personally attest to the fact that the coating does exactly what Satou claims it does: the smoking is not effected, the finish is better maintained over time and it doesn't need to be rewaxed. As to the exact compound he uses, well, he is not overly willing to share that information.

Satou's styling, to a greater degree than even Tokutomi or Tsuge, is uniquely Japanese. He seems to have been less influenced by the Danish makers. Though the fusion of Danish into Japanese aesthetic has been hugely successful for both of those makers, it certainly is of interest that Satou has maintained a very traditionally Japanese aesthetic. Perhaps Satou's marquee style is the very long bamboo shank extension with a fairly small bowl. In many ways, this style is more reminiscent of kiseru pipes than it is of Western briar pipes. When he isn't using bamboo, he often uses water buffalo horn as a ferrule and occasionally uses standard gold or silver bands on the shank. Another recognizable feature of some of Satou's pipes without bamboo is an incredibly deep bend in the shank- one that would be impossible to achieve with a standard drill bit. When asked how he did it, he smiled, shook his head and said it was a secret.

Gifted, quiet, humble and eminently Japanese, Smio Satou is doubtlessly one of the world's great pipe makers."


Gruss Arno



www.verbilligen.de

 
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RE: Satou

#6 von Arno , 02.03.2010 15:36

Bezugsquelle: http://www.smokingpipes.com/

Sandblasted Billiard with Bamboo

Zitat:
"Wabi sabi is a principle that serves as a foundation for the entire pantheon of of the traditional Japanese aesthetic. In part, the concept finds appreciation for the the quiet, the harmonious, and forms the bedrock for most all of Smio Satou's marvelous creations. Sitting in a tray, there is no single element that leaps up at you. As your gaze softens, you realize this is some of the finest sandblasted grain to ever grace a pipe. The shape could not be augmented, nor reduced without lessening the composition. Bamboo is flawless, the hand carved bit is perfect. With Satou-sans attention to engineering and detail, close examination of the interior works of the pipe causes one to hold his breath. It is at about this point a quiet smile begins and a quiet companionship is formed. This is "Satou".
--Bear Graves"



Measurements & Other Details

Length: 6.05 in./153.67 mm. Weight: 1.40 oz./39.69 g.
Bowl Height: 1.71 in./43.43 mm. Chamber Depth: 1.43 in./36.32 mm.
Chamber Diameter: .83 in./21.08 mm. Outside Diameter: 1.45 in./36.83 mm.
Stem Material: Vulcanite Filter: None
Shape: Billiard Finish: Sandblast
Material: Briar Country: Japan


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zuletzt bearbeitet 02.03.2010 | Top

RE: Satou

#7 von Arno , 02.03.2010 15:38

Bezugsquelle: http://www.smokingpipes.com/

Smooth Bent Brandy with Tsuisyu

Zitat:
"I, alone on the smokingpipes.com staff, do not find myself naturally attracted to the smaller pipe, but I am utterly captivated by this diminutive jewel from Smio Satou. To digress a bit, Lars Ivarsson once said that a great pipe should always have a shape that makes your hand curl around it, to cuddle it as if it were a hamster. I could (literally) ramble off fifty attributes that I normally associate with the creations of Master Smio Satou, but "shapes that you would want to cuddle like a hamster" would not be one of them... until this pipe. A harmonious combination of angel hair and flame grain wraps the bowl and meets with an exquisite crescent moon rim. That concavity is mirrored, to perfection, in the arc of the bit and that bit contains a Tsuisyu inlay, a process that takes extremely thin layers of differing lacquers (urushi), stacks them and then cuts across the grain. Tsuisyu is so labor intensive that it has almost disappeared altogether, but nonetheless appears in this Satou brandy. Would I own a small pipe? Hell, it's all I can do to not steal this one!
--Bear Graves"



Measurements & Other Details

Length: 4.61 in./117.09 mm. Weight: 1.20 oz./34.02 g.
Bowl Height: 1.41 in./35.81 mm. Chamber Depth: 1.15 in./29.21 mm.
Chamber Diameter: .76 in./19.30 mm. Outside Diameter: 1.41 in./35.81 mm.
Stem Material: Vulcanite Filter: None
Shape: Bent Brandy Finish: Smooth
Material: Briar Country: Japan


Gruss Arno



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zuletzt bearbeitet 02.03.2010 | Top

RE: Satou

#8 von Arno , 13.07.2010 22:17

Bezugsquelle: http://www.smokingpipes.com/

Smooth Volcano with Bamboo


Zitat:
"Satou's deep red stain is wonderfully elegant. It also, unlike so many deep, rich red stains, does a fairly good job of displaying grain. No, it's not a contrast stain by any means, but it doesn't obfuscate the grain to nearly the degree that, say, Dunhill's Bruyere finish does. The bowl of this volcano sports amazing straight grain, right the way around, terminating into even more amazing birdseye on the base of the bowl. Compositionally, I love the dark red with the beautiful, yellowed two knuckle bamboo shank. And thanks to Satou's signature urushi finish, it will be beautiful for years to come, with very little maintenance.


-- Sykes Wilford"



Measurements & Other Details

Length: 5.88 in./149.35 mm. Weight: 1.90 oz./53.86 g.
Bowl Height: 1.62 in./41.15 mm. Chamber Depth: 1.18 in./29.97 mm.
Chamber Diameter: 0.80 in./20.32 mm. Outside Diameter: 1.93 in./49.02 mm.
Stem Material: Vulcanite Filter: None
Shape: Volcano Finish: Smooth
Material: Briar Country: Japan


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